( ! ) Warning: Array to string conversion in C:\wamp64\www\lib\page\SpotPage_editspot.php on line 39
Call Stack
#	Time	Memory	Function	Location
1	0.0001	366200	{main}( )	...\index.php:0
2	0.0085	668360	SpotPage_editspot->render( )	...\index.php:327
3	0.0152	765824	str_replace( $search = '[br]', $replace = '\n', $subject = ['category' => '1', 'website' => '', 'image' => '', 'sabnzbdurl' => '', 'messageid' => 'abb410e8e4e44a7c87e1928bf23b049d13@free.pt', 'searchurl' => '', 'description' => 'Versailles - La Cathedrale Du Temps[br][br]A French symphonic band from the nineties, VERSAILLES have also been referred to as neo-progressive, but a listen to any of their studio albums reveals obvious and strong influences by the early symphonic masters, including GENESIS, YES, KING CRIMSON, and PFM. Their keyboard work is especially comparable to both GENESIS and YES. [br][br]The band consisted of the quartet Guillaume de la Pilière, Alain De Lille, and Benoit and Olivier de Gency. Their most memorable '..., 'sub' => '', 'filesize' => '11730212', 'poster' => 'grobschnitt', 'tag' => 'ProgSymfo', 'nzb' => [0 => '3c5f06f5471343f989adc83e9a4e434d11@spot.net'], 'title' => 'Versailles - La Cathedrale Du Temps', 'filename' => '', 'newsgroup' => '', 'subcata' => 'a0\|', 'subcatb' => 'b0\|', 'subcatc' => 'c6\|', 'subcatd' => 'd18\|', 'subcatz' => 'z0\|', 'created' => '1295460334', 'key' => '3', 'prevMsgids' => [], 'newsreader' => '', 'id' => '336204', 0 => '336204', 1 => 'abb410e8e4e44a7c87e1928bf23b049d13@free.pt', 2 => '1', 3 => 'grobschnitt', 4 => 'a0\|', 5 => 'b0\|', 6 => 'c6\|', 7 => 'd18\|', 8 => 'z0\|', 9 => 'Versailles - La Cathedrale Du Temps', 10 => 'ProgSymfo', 'stamp' => '1295460334', 11 => '1295460334', 'moderated' => NULL, 12 => NULL, 'rating' => '0', 13 => '0', 'commentcount' => '0', 14 => '0', 'reportcount' => '0', 15 => '0', 16 => '11730212', 'spotterid' => '', 17 => '', 'editstamp' => NULL, 18 => NULL, 'editor' => NULL, 19 => NULL, 'downloadstamp' => NULL, 20 => NULL, 'watchstamp' => NULL, 21 => NULL, 'seenstamp' => NULL, 22 => NULL, 'verified' => '0', 23 => '0', 'user-signature' => '', 24 => '', 'user-key' => 'YToyOntzOjg6ImV4cG9uZW50IjtzOjA6IiI7czo2OiJtb2R1bG8iO3M6MDoiIjt9', 25 => 'YToyOntzOjg6ImV4cG9uZW50IjtzOjA6IiI7czo2OiJtb2R1bG8iO3M6MDoiIjt9', 'xml-signature' => 'GCLQH4FXN6wrhThkTFt8wVMc4M+14a53p61fk+qvQxmU0GdRF6+t4rem+cmJYVDx', 26 => 'GCLQH4FXN6wrhThkTFt8wVMc4M+14a53p61fk+qvQxmU0GdRF6+t4rem+cmJYVDx', 'fullxml' => '<Spotnet><Posting><ID>41357</ID><Key>3</Key><Created>1295460334</Created><Poster>grobschnitt</Poster><Tag>ProgSymfo</Tag><Title><![CDATA[Versailles - La Cathedrale Du Temps]]></Title><Description><![CDATA[Versailles - La Cathedrale Du Temps[br][br]A French symphonic band from the nineties, VERSAILLES have also been referred to as neo-progressive, but a listen to any of their studio albums reveals obvious and strong influences by the early symphonic masters, including GENESIS, YES, KING CRIMSON, and PFM. The'..., 27 => '<Spotnet><Posting><ID>41357</ID><Key>3</Key><Created>1295460334</Created><Poster>grobschnitt</Poster><Tag>ProgSymfo</Tag><Title><![CDATA[Versailles - La Cathedrale Du Temps]]></Title><Description><![CDATA[Versailles - La Cathedrale Du Temps[br][br]A French symphonic band from the nineties, VERSAILLES have also been referred to as neo-progressive, but a listen to any of their studio albums reveals obvious and strong influences by the early symphonic masters, including GENESIS, YES, KING CRIMSON, and PFM. The'..., 'listidtype' => NULL, 28 => NULL] )	...\SpotPage_editspot.php:39

( ! ) Warning: Array to string conversion in C:\wamp64\www\lib\page\SpotPage_editspot.php on line 39

Call Stack

Time

Memory

Function

Location

0.0001

366200

{main}( )

...\index.php:0

0.0085

668360

SpotPage_editspot->render( )

...\index.php:327

0.0152

765824

str_replace( $search = '[br]', $replace = '\n', $subject = ['category' => '1', 'website' => '', 'image' => '', 'sabnzbdurl' => '', 'messageid' => 'abb410e8e4e44a7c87e1928bf23b049d13@free.pt', 'searchurl' => '', 'description' => 'Versailles - La Cathedrale Du Temps[br][br]A French symphonic band from the nineties, VERSAILLES have also been referred to as neo-progressive, but a listen to any of their studio albums reveals obvious and strong influences by the early symphonic masters, including GENESIS, YES, KING CRIMSON, and PFM. Their keyboard work is especially comparable to both GENESIS and YES. [br][br]The band consisted of the quartet Guillaume de la Pilière, Alain De Lille, and Benoit and Olivier de Gency. Their most memorable '..., 'sub' => '', 'filesize' => '11730212', 'poster' => 'grobschnitt', 'tag' => 'ProgSymfo', 'nzb' => [0 => '3c5f06f5471343f989adc83e9a4e434d11@spot.net'], 'title' => 'Versailles - La Cathedrale Du Temps', 'filename' => '', 'newsgroup' => '', 'subcata' => 'a0|', 'subcatb' => 'b0|', 'subcatc' => 'c6|', 'subcatd' => 'd18|', 'subcatz' => 'z0|', 'created' => '1295460334', 'key' => '3', 'prevMsgids' => [], 'newsreader' => '', 'id' => '336204', 0 => '336204', 1 => 'abb410e8e4e44a7c87e1928bf23b049d13@free.pt', 2 => '1', 3 => 'grobschnitt', 4 => 'a0|', 5 => 'b0|', 6 => 'c6|', 7 => 'd18|', 8 => 'z0|', 9 => 'Versailles - La Cathedrale Du Temps', 10 => 'ProgSymfo', 'stamp' => '1295460334', 11 => '1295460334', 'moderated' => NULL, 12 => NULL, 'rating' => '0', 13 => '0', 'commentcount' => '0', 14 => '0', 'reportcount' => '0', 15 => '0', 16 => '11730212', 'spotterid' => '', 17 => '', 'editstamp' => NULL, 18 => NULL, 'editor' => NULL, 19 => NULL, 'downloadstamp' => NULL, 20 => NULL, 'watchstamp' => NULL, 21 => NULL, 'seenstamp' => NULL, 22 => NULL, 'verified' => '0', 23 => '0', 'user-signature' => '', 24 => '', 'user-key' => 'YToyOntzOjg6ImV4cG9uZW50IjtzOjA6IiI7czo2OiJtb2R1bG8iO3M6MDoiIjt9', 25 => 'YToyOntzOjg6ImV4cG9uZW50IjtzOjA6IiI7czo2OiJtb2R1bG8iO3M6MDoiIjt9', 'xml-signature' => 'GCLQH4FXN6wrhThkTFt8wVMc4M+14a53p61fk+qvQxmU0GdRF6+t4rem+cmJYVDx', 26 => 'GCLQH4FXN6wrhThkTFt8wVMc4M+14a53p61fk+qvQxmU0GdRF6+t4rem+cmJYVDx', 'fullxml' => '<Spotnet><Posting><ID>41357</ID><Key>3</Key><Created>1295460334</Created><Poster>grobschnitt</Poster><Tag>ProgSymfo</Tag><Title><![CDATA[Versailles - La Cathedrale Du Temps]]></Title><Description><![CDATA[Versailles - La Cathedrale Du Temps[br][br]A French symphonic band from the nineties, VERSAILLES have also been referred to as neo-progressive, but a listen to any of their studio albums reveals obvious and strong influences by the early symphonic masters, including GENESIS, YES, KING CRIMSON, and PFM. The'..., 27 => '<Spotnet><Posting><ID>41357</ID><Key>3</Key><Created>1295460334</Created><Poster>grobschnitt</Poster><Tag>ProgSymfo</Tag><Title><![CDATA[Versailles - La Cathedrale Du Temps]]></Title><Description><![CDATA[Versailles - La Cathedrale Du Temps[br][br]A French symphonic band from the nineties, VERSAILLES have also been referred to as neo-progressive, but a listen to any of their studio albums reveals obvious and strong influences by the early symphonic masters, including GENESIS, YES, KING CRIMSON, and PFM. The'..., 'listidtype' => NULL, 28 => NULL] )

...\SpotPage_editspot.php:39

( ! ) Warning: Array to string conversion in C:\wamp64\www\lib\page\SpotPage_editspot.php on line 39
Call Stack
#	Time	Memory	Function	Location
1	0.0001	366200	{main}( )	...\index.php:0
2	0.0085	668360	SpotPage_editspot->render( )	...\index.php:327
3	0.0152	765824	str_replace( $search = '[br]', $replace = '\n', $subject = ['category' => '1', 'website' => '', 'image' => '', 'sabnzbdurl' => '', 'messageid' => 'abb410e8e4e44a7c87e1928bf23b049d13@free.pt', 'searchurl' => '', 'description' => 'Versailles - La Cathedrale Du Temps[br][br]A French symphonic band from the nineties, VERSAILLES have also been referred to as neo-progressive, but a listen to any of their studio albums reveals obvious and strong influences by the early symphonic masters, including GENESIS, YES, KING CRIMSON, and PFM. Their keyboard work is especially comparable to both GENESIS and YES. [br][br]The band consisted of the quartet Guillaume de la Pilière, Alain De Lille, and Benoit and Olivier de Gency. Their most memorable '..., 'sub' => '', 'filesize' => '11730212', 'poster' => 'grobschnitt', 'tag' => 'ProgSymfo', 'nzb' => [0 => '3c5f06f5471343f989adc83e9a4e434d11@spot.net'], 'title' => 'Versailles - La Cathedrale Du Temps', 'filename' => '', 'newsgroup' => '', 'subcata' => 'a0\|', 'subcatb' => 'b0\|', 'subcatc' => 'c6\|', 'subcatd' => 'd18\|', 'subcatz' => 'z0\|', 'created' => '1295460334', 'key' => '3', 'prevMsgids' => [], 'newsreader' => '', 'id' => '336204', 0 => '336204', 1 => 'abb410e8e4e44a7c87e1928bf23b049d13@free.pt', 2 => '1', 3 => 'grobschnitt', 4 => 'a0\|', 5 => 'b0\|', 6 => 'c6\|', 7 => 'd18\|', 8 => 'z0\|', 9 => 'Versailles - La Cathedrale Du Temps', 10 => 'ProgSymfo', 'stamp' => '1295460334', 11 => '1295460334', 'moderated' => NULL, 12 => NULL, 'rating' => '0', 13 => '0', 'commentcount' => '0', 14 => '0', 'reportcount' => '0', 15 => '0', 16 => '11730212', 'spotterid' => '', 17 => '', 'editstamp' => NULL, 18 => NULL, 'editor' => NULL, 19 => NULL, 'downloadstamp' => NULL, 20 => NULL, 'watchstamp' => NULL, 21 => NULL, 'seenstamp' => NULL, 22 => NULL, 'verified' => '0', 23 => '0', 'user-signature' => '', 24 => '', 'user-key' => 'YToyOntzOjg6ImV4cG9uZW50IjtzOjA6IiI7czo2OiJtb2R1bG8iO3M6MDoiIjt9', 25 => 'YToyOntzOjg6ImV4cG9uZW50IjtzOjA6IiI7czo2OiJtb2R1bG8iO3M6MDoiIjt9', 'xml-signature' => 'GCLQH4FXN6wrhThkTFt8wVMc4M+14a53p61fk+qvQxmU0GdRF6+t4rem+cmJYVDx', 26 => 'GCLQH4FXN6wrhThkTFt8wVMc4M+14a53p61fk+qvQxmU0GdRF6+t4rem+cmJYVDx', 'fullxml' => '<Spotnet><Posting><ID>41357</ID><Key>3</Key><Created>1295460334</Created><Poster>grobschnitt</Poster><Tag>ProgSymfo</Tag><Title><![CDATA[Versailles - La Cathedrale Du Temps]]></Title><Description><![CDATA[Versailles - La Cathedrale Du Temps[br][br]A French symphonic band from the nineties, VERSAILLES have also been referred to as neo-progressive, but a listen to any of their studio albums reveals obvious and strong influences by the early symphonic masters, including GENESIS, YES, KING CRIMSON, and PFM. The'..., 27 => '<Spotnet><Posting><ID>41357</ID><Key>3</Key><Created>1295460334</Created><Poster>grobschnitt</Poster><Tag>ProgSymfo</Tag><Title><![CDATA[Versailles - La Cathedrale Du Temps]]></Title><Description><![CDATA[Versailles - La Cathedrale Du Temps[br][br]A French symphonic band from the nineties, VERSAILLES have also been referred to as neo-progressive, but a listen to any of their studio albums reveals obvious and strong influences by the early symphonic masters, including GENESIS, YES, KING CRIMSON, and PFM. The'..., 'listidtype' => NULL, 28 => NULL] )	...\SpotPage_editspot.php:39

( ! ) Warning: Array to string conversion in C:\wamp64\www\lib\page\SpotPage_editspot.php on line 39

Call Stack

Time

Memory

Function

Location

0.0001

366200

{main}( )

...\index.php:0

0.0085

668360

SpotPage_editspot->render( )

...\index.php:327

0.0152

765824

...\SpotPage_editspot.php:39

( ! ) Warning: Cannot modify header information - headers already sent by (output started at C:\wamp64\www\lib\page\SpotPage_editspot.php:39) in C:\wamp64\www\lib\page\SpotPage_Abs.php on line 63
Call Stack
#	Time	Memory	Function	Location
1	0.0001	366200	{main}( )	...\index.php:0
2	0.0085	668360	SpotPage_editspot->render( )	...\index.php:327
3	0.0201	768200	SpotPage_Abs->template( $tpl = 'editspot', $params = ['editspotform' => ['category' => '1', 'website' => '', 'image' => '', 'sabnzbdurl' => '', 'messageid' => 'abb410e8e4e44a7c87e1928bf23b049d13@free.pt', 'searchurl' => '', 'description' => 'Versailles - La Cathedrale Du Temps\n\nA French symphonic band from the nineties, VERSAILLES have also been referred to as neo-progressive, but a listen to any of their studio albums reveals obvious and strong influences by the early symphonic masters, including GENESIS, YES, KING CRIMSON, and PFM. Their keyboard work is especially comparable to both GENESIS and YES. \n\nThe band consisted of the quartet Guillaume de la Pilière, Alain De Lille, and Benoit and Olivier de Gency. Their most memorable release is t'..., 'sub' => '', 'filesize' => '11730212', 'poster' => 'grobschnitt', 'tag' => 'ProgSymfo', 'nzb' => 'Array', 'title' => 'Versailles - La Cathedrale Du Temps', 'filename' => '', 'newsgroup' => '', 'subcata' => 'a0\|', 'subcatb' => 'b0\|', 'subcatc' => 'c6\|', 'subcatd' => 'd18\|', 'subcatz' => 'z0\|', 'created' => '1295460334', 'key' => '3', 'prevMsgids' => 'Array', 'newsreader' => '', 'id' => '336204', 0 => '336204', 1 => 'abb410e8e4e44a7c87e1928bf23b049d13@free.pt', 2 => '1', 3 => 'grobschnitt', 4 => 'a0\|', 5 => 'b0\|', 6 => 'c6\|', 7 => 'd18\|', 8 => 'z0\|', 9 => 'Versailles - La Cathedrale Du Temps', 10 => 'ProgSymfo', 'stamp' => '1295460334', 11 => '1295460334', 'moderated' => '', 12 => '', 'rating' => '0', 13 => '0', 'commentcount' => '0', 14 => '0', 'reportcount' => '0', 15 => '0', 16 => '11730212', 'spotterid' => '', 17 => '', 'editstamp' => '', 18 => '', 'editor' => '', 19 => '', 'downloadstamp' => '', 20 => '', 'watchstamp' => '', 21 => '', 'seenstamp' => '', 22 => '', 'verified' => '0', 23 => '0', 'user-signature' => '', 24 => '', 'user-key' => 'YToyOntzOjg6ImV4cG9uZW50IjtzOjA6IiI7czo2OiJtb2R1bG8iO3M6MDoiIjt9', 25 => 'YToyOntzOjg6ImV4cG9uZW50IjtzOjA6IiI7czo2OiJtb2R1bG8iO3M6MDoiIjt9', 'xml-signature' => 'GCLQH4FXN6wrhThkTFt8wVMc4M+14a53p61fk+qvQxmU0GdRF6+t4rem+cmJYVDx', 26 => 'GCLQH4FXN6wrhThkTFt8wVMc4M+14a53p61fk+qvQxmU0GdRF6+t4rem+cmJYVDx', 'fullxml' => '<Spotnet><Posting><ID>41357</ID><Key>3</Key><Created>1295460334</Created><Poster>grobschnitt</Poster><Tag>ProgSymfo</Tag><Title><![CDATA[Versailles - La Cathedrale Du Temps]]></Title><Description><![CDATA[Versailles - La Cathedrale Du Temps\n\nA French symphonic band from the nineties, VERSAILLES have also been referred to as neo-progressive, but a listen to any of their studio albums reveals obvious and strong influences by the early symphonic masters, including GENESIS, YES, KING CRIMSON, and PFM. Their key'..., 27 => '<Spotnet><Posting><ID>41357</ID><Key>3</Key><Created>1295460334</Created><Poster>grobschnitt</Poster><Tag>ProgSymfo</Tag><Title><![CDATA[Versailles - La Cathedrale Du Temps]]></Title><Description><![CDATA[Versailles - La Cathedrale Du Temps\n\nA French symphonic band from the nineties, VERSAILLES have also been referred to as neo-progressive, but a listen to any of their studio albums reveals obvious and strong influences by the early symphonic masters, including GENESIS, YES, KING CRIMSON, and PFM. Their key'..., 'listidtype' => '', 28 => ''], 'result' => class Dto_FormResult { public $_result = 'notsubmitted'; public $_data = [...]; public $_errors = [...]; public $_warnings = [...]; public $_info = [...] }] )	...\SpotPage_editspot.php:87
4	0.0201	768672	SpotPage_Abs->sendExpireHeaders( $preventCaching = TRUE )	...\SpotPage_Abs.php:139
5	0.0201	768672	header( $header = 'Cache-Control: private, post-check=1, pre-check=2, max-age=1, must-revalidate' )	...\SpotPage_Abs.php:63

( ! ) Warning: Cannot modify header information - headers already sent by (output started at C:\wamp64\www\lib\page\SpotPage_editspot.php:39) in C:\wamp64\www\lib\page\SpotPage_Abs.php on line 63

Call Stack

Time

Memory

Function

Location

0.0001

366200

{main}( )

...\index.php:0

0.0085

668360

SpotPage_editspot->render( )

...\index.php:327

0.0201

768200

SpotPage_Abs->template( $tpl = 'editspot', $params = ['editspotform' => ['category' => '1', 'website' => '', 'image' => '', 'sabnzbdurl' => '', 'messageid' => 'abb410e8e4e44a7c87e1928bf23b049d13@free.pt', 'searchurl' => '', 'description' => 'Versailles - La Cathedrale Du Temps\n\nA French symphonic band from the nineties, VERSAILLES have also been referred to as neo-progressive, but a listen to any of their studio albums reveals obvious and strong influences by the early symphonic masters, including GENESIS, YES, KING CRIMSON, and PFM. Their keyboard work is especially comparable to both GENESIS and YES. \n\nThe band consisted of the quartet Guillaume de la Pilière, Alain De Lille, and Benoit and Olivier de Gency. Their most memorable release is t'..., 'sub' => '', 'filesize' => '11730212', 'poster' => 'grobschnitt', 'tag' => 'ProgSymfo', 'nzb' => 'Array', 'title' => 'Versailles - La Cathedrale Du Temps', 'filename' => '', 'newsgroup' => '', 'subcata' => 'a0|', 'subcatb' => 'b0|', 'subcatc' => 'c6|', 'subcatd' => 'd18|', 'subcatz' => 'z0|', 'created' => '1295460334', 'key' => '3', 'prevMsgids' => 'Array', 'newsreader' => '', 'id' => '336204', 0 => '336204', 1 => 'abb410e8e4e44a7c87e1928bf23b049d13@free.pt', 2 => '1', 3 => 'grobschnitt', 4 => 'a0|', 5 => 'b0|', 6 => 'c6|', 7 => 'd18|', 8 => 'z0|', 9 => 'Versailles - La Cathedrale Du Temps', 10 => 'ProgSymfo', 'stamp' => '1295460334', 11 => '1295460334', 'moderated' => '', 12 => '', 'rating' => '0', 13 => '0', 'commentcount' => '0', 14 => '0', 'reportcount' => '0', 15 => '0', 16 => '11730212', 'spotterid' => '', 17 => '', 'editstamp' => '', 18 => '', 'editor' => '', 19 => '', 'downloadstamp' => '', 20 => '', 'watchstamp' => '', 21 => '', 'seenstamp' => '', 22 => '', 'verified' => '0', 23 => '0', 'user-signature' => '', 24 => '', 'user-key' => 'YToyOntzOjg6ImV4cG9uZW50IjtzOjA6IiI7czo2OiJtb2R1bG8iO3M6MDoiIjt9', 25 => 'YToyOntzOjg6ImV4cG9uZW50IjtzOjA6IiI7czo2OiJtb2R1bG8iO3M6MDoiIjt9', 'xml-signature' => 'GCLQH4FXN6wrhThkTFt8wVMc4M+14a53p61fk+qvQxmU0GdRF6+t4rem+cmJYVDx', 26 => 'GCLQH4FXN6wrhThkTFt8wVMc4M+14a53p61fk+qvQxmU0GdRF6+t4rem+cmJYVDx', 'fullxml' => '<Spotnet><Posting><ID>41357</ID><Key>3</Key><Created>1295460334</Created><Poster>grobschnitt</Poster><Tag>ProgSymfo</Tag><Title><![CDATA[Versailles - La Cathedrale Du Temps]]></Title><Description><![CDATA[Versailles - La Cathedrale Du Temps\n\nA French symphonic band from the nineties, VERSAILLES have also been referred to as neo-progressive, but a listen to any of their studio albums reveals obvious and strong influences by the early symphonic masters, including GENESIS, YES, KING CRIMSON, and PFM. Their key'..., 27 => '<Spotnet><Posting><ID>41357</ID><Key>3</Key><Created>1295460334</Created><Poster>grobschnitt</Poster><Tag>ProgSymfo</Tag><Title><![CDATA[Versailles - La Cathedrale Du Temps]]></Title><Description><![CDATA[Versailles - La Cathedrale Du Temps\n\nA French symphonic band from the nineties, VERSAILLES have also been referred to as neo-progressive, but a listen to any of their studio albums reveals obvious and strong influences by the early symphonic masters, including GENESIS, YES, KING CRIMSON, and PFM. Their key'..., 'listidtype' => '', 28 => ''], 'result' => class Dto_FormResult { public $_result = 'notsubmitted'; public $_data = [...]; public $_errors = [...]; public $_warnings = [...]; public $_info = [...] }] )

...\SpotPage_editspot.php:87

0.0201

768672

SpotPage_Abs->sendExpireHeaders( $preventCaching = TRUE )

...\SpotPage_Abs.php:139

0.0201

768672

header( $header = 'Cache-Control: private, post-check=1, pre-check=2, max-age=1, must-revalidate' )

...\SpotPage_Abs.php:63

( ! ) Warning: Cannot modify header information - headers already sent by (output started at C:\wamp64\www\lib\page\SpotPage_editspot.php:39) in C:\wamp64\www\lib\page\SpotPage_Abs.php on line 64
Call Stack
#	Time	Memory	Function	Location
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Versailles - La Cathedrale Du Temps

A French symphonic band from the nineties, VERSAILLES have also been referred to as neo-progressive, but a listen to any of their studio albums reveals obvious and strong influences by the early symphonic masters, including GENESIS, YES, KING CRIMSON, and PFM. Their keyboard work is especially comparable to both GENESIS and YES.

The band consisted of the quartet Guillaume de la Pilière, Alain De Lille, and Benoit and Olivier de Gency. Their most memorable release is the 1992 "Don Giovanni", which is marked by three epic-length compositions full of inflected guitar, heavy mellotron, delicate flute, and three-part harmonic vocals. Their subsequent albums would also be characterized by lengthy passages, but none would approach the expansive and expressive feel of this release.

VERSAILLES' sound consists mostly of spacey but heavy mellotron, heavily inflected guitar, and dramatic flourishes of vocals (in French, of course) and flute. The guitar work often seems to lean rather heavily toward seventies David Gilmour, although the compositions themselves are distinctly French and do not approach the feel of PINK FLOYD. ANGE would probably be a better comparison.

The band produced four studio albums in the nineties before dissolving (sans bassist Olivier de Gency) to help reform the theatrical seventies French band MONA LISA, with whom the group released a studio album in 1998, and a live release from their ProgFest 2000 appearance before fading once again. Multi-instrumentalist and VERSAILLES leader Guillaume de la Pilière also produced solo albums in 1997 and 2000.

VERSAILLES should be listed in the Archives because of their distinct and dramatic style of keyboard-driven French music, and for being the catalyst in the reformation of MONA LISA. Their sound is undeniably symphonic, so their place here is assured.

Studio Album, released in 1991

Songs / Tracks Listing 
1. Intenses instants (5:18) 
2. A la gloire des animaux (5:33) 
3. Tels son ses pastels (6:30) 
4. La dame des sables (4:10) 
5. Le sang bleu (4:59) 
6. L´ame a fleur de peau (3:38) 
7. La cathedrale du temps (6:31) 
8. Le cri de la raison (6:10) 
9. Le trepas venitien (7:34)

Line-up / Musicians 
- Guillaume de la Pilière / vocals, guitar, flute 
- Benoit de Gency / drums 
- Alain de Lille / keyboards 
- Patrice le Roy / bass

Ik mis nog:  Don Giovanni. Wie of Wie kan die spotten?

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