| ( ! ) Warning: Array to string conversion in C:\wamp64\www\lib\page\SpotPage_editspot.php on line 39 | ||||
|---|---|---|---|---|
| Call Stack | ||||
| # | Time | Memory | Function | Location |
| 1 | 0.0001 | 366088 | {main}( ) | ...\index.php:0 |
| 2 | 0.0269 | 668248 | SpotPage_editspot->render( ) | ...\index.php:327 |
| 3 | 0.0333 | 766000 | str_replace( $search = '[br]', $replace = '\n', $subject = ['category' => '0', 'website' => 'https://www.amazon.com/Composing-Cinema-Theory-Praxis-Music/dp/0810892413', 'image' => ['height' => '472', 'width' => '315', 'segment' => [...]], 'sabnzbdurl' => '', 'messageid' => '1PLBHPZxWFMnaSHWQ5WN5@spot.net', 'searchurl' => '', 'description' => 'With nearly 400 scores to his credit, Ennio Morricone is one of the most prolific and influential film composers working today. He has collaborated with many significant directors, and his scores for such films as The Good, the Bad, and the Ugly; Once Upon a Time in America; Days of Heaven; The Mission; The Untouchables; Malèna; and Cinema Paradiso leave moviegoers with the conviction that something special was achieved—a conviction shared by composers, scholars, and fans alike.[br][br]In Composing for t'..., 'sub' => '', 'filesize' => '4345814', 'poster' => 'CaptainSalvo', 'tag' => 'CaptSalvo', 'nzb' => [0 => 'UsMR7RXnoOInqSHWQZH9V@spot.net'], 'title' => 'Composing.for.the.Cinema.The.Theory.and.Praxis.of.Music.in.Film.by.Ennio.Morricone.and.Sergio.Miceli.PDF', 'filename' => '', 'newsgroup' => '', 'subcata' => 'a11|', 'subcatb' => 'b10|', 'subcatc' => 'c10|', 'subcatd' => 'd55|', 'subcatz' => 'z2|', 'created' => '1502061727', 'key' => '7', 'prevMsgids' => [], 'newsreader' => 'Spotnet 1.9.0.3', 'id' => '1604997', 0 => '1604997', 1 => '1PLBHPZxWFMnaSHWQ5WN5@spot.net', 2 => '0', 3 => 'CaptainSalvo', 4 => 'a11|', 5 => 'b10|', 6 => 'c10|', 7 => 'd55|', 8 => 'z2|', 9 => 'Composing.for.the.Cinema.The.Theory.and.Praxis.of.Music.in.Film.by.Ennio.Morricone.and.Sergio.Miceli.PDF', 10 => 'CaptSalvo', 'stamp' => '1502061727', 11 => '1502061727', 'moderated' => NULL, 12 => NULL, 'rating' => '0', 13 => '0', 'commentcount' => '0', 14 => '0', 'reportcount' => '0', 15 => '0', 16 => '4345814', 'spotterid' => 'rYgT7Q', 17 => 'rYgT7Q', 'editstamp' => NULL, 18 => NULL, 'editor' => NULL, 19 => NULL, 'downloadstamp' => NULL, 20 => NULL, 'watchstamp' => NULL, 21 => NULL, 'seenstamp' => '1793041731', 22 => '1793041731', 'verified' => '1', 23 => '1', 'user-signature' => 'HDhwLB/1jplYgqf4H8nKwc6Npb1TKb28iQr+A6f1CZPuGkWW7MJrF4VWqU7jRqas==', 24 => 'HDhwLB/1jplYgqf4H8nKwc6Npb1TKb28iQr+A6f1CZPuGkWW7MJrF4VWqU7jRqas==', 'user-key' => ['exponent' => 'AQAB', 'modulo' => 'rgdiBbUTAIlve4cIy22wy9Nbvix2QeHPtlWf1qr2/QmhHdq+BVPqEhWrDvFnT8xn'], 25 => 'YToyOntzOjg6ImV4cG9uZW50IjtzOjQ6IkFRQUIiO3M6NjoibW9kdWxvIjtzOjY0OiJyZ2RpQmJVVEFJbHZlNGNJeTIyd3k5TmJ2aXgyUWVIUHRsV2YxcXIyL1FtaEhkcStCVlBxRWhXckR2Rm5UOHhuIjt9', 'xml-signature' => 'q5Yw0qvArn+F+N4sgE6HkJ/GV8iajKcN9MbkiP5gG/lipYoFqp0hYZCY2sieuTHU', 26 => 'q5Yw0qvArn+F+N4sgE6HkJ/GV8iajKcN9MbkiP5gG/lipYoFqp0hYZCY2sieuTHU', 'fullxml' => '<?xml version="1.0"?>\n<Spotnet><Posting><Key>7</Key><Created>1502061727</Created><Poster>CaptainSalvo</Poster><Tag>CaptSalvo</Tag><Title>Composing.for.the.Cinema.The.Theory.and.Praxis.of.Music.in.Film.by.Ennio.Morricone.and.Sergio.Miceli.PDF</Title><Description>With nearly 400 scores to his credit, Ennio Morricone is one of the most prolific and influential film composers working today. He has collaborated with many significant directors, and his scores for such films as The Good, the Bad, and the Ugly; Onc'..., 27 => '<?xml version="1.0"?>\n<Spotnet><Posting><Key>7</Key><Created>1502061727</Created><Poster>CaptainSalvo</Poster><Tag>CaptSalvo</Tag><Title>Composing.for.the.Cinema.The.Theory.and.Praxis.of.Music.in.Film.by.Ennio.Morricone.and.Sergio.Miceli.PDF</Title><Description>With nearly 400 scores to his credit, Ennio Morricone is one of the most prolific and influential film composers working today. He has collaborated with many significant directors, and his scores for such films as The Good, the Bad, and the Ugly; Onc'..., 'listidtype' => NULL, 28 => NULL] ) | ...\SpotPage_editspot.php:39 |
| ( ! ) Warning: Array to string conversion in C:\wamp64\www\lib\page\SpotPage_editspot.php on line 39 | ||||
|---|---|---|---|---|
| Call Stack | ||||
| # | Time | Memory | Function | Location |
| 1 | 0.0001 | 366088 | {main}( ) | ...\index.php:0 |
| 2 | 0.0269 | 668248 | SpotPage_editspot->render( ) | ...\index.php:327 |
| 3 | 0.0333 | 766000 | str_replace( $search = '[br]', $replace = '\n', $subject = ['category' => '0', 'website' => 'https://www.amazon.com/Composing-Cinema-Theory-Praxis-Music/dp/0810892413', 'image' => ['height' => '472', 'width' => '315', 'segment' => [...]], 'sabnzbdurl' => '', 'messageid' => '1PLBHPZxWFMnaSHWQ5WN5@spot.net', 'searchurl' => '', 'description' => 'With nearly 400 scores to his credit, Ennio Morricone is one of the most prolific and influential film composers working today. He has collaborated with many significant directors, and his scores for such films as The Good, the Bad, and the Ugly; Once Upon a Time in America; Days of Heaven; The Mission; The Untouchables; Malèna; and Cinema Paradiso leave moviegoers with the conviction that something special was achieved—a conviction shared by composers, scholars, and fans alike.[br][br]In Composing for t'..., 'sub' => '', 'filesize' => '4345814', 'poster' => 'CaptainSalvo', 'tag' => 'CaptSalvo', 'nzb' => [0 => 'UsMR7RXnoOInqSHWQZH9V@spot.net'], 'title' => 'Composing.for.the.Cinema.The.Theory.and.Praxis.of.Music.in.Film.by.Ennio.Morricone.and.Sergio.Miceli.PDF', 'filename' => '', 'newsgroup' => '', 'subcata' => 'a11|', 'subcatb' => 'b10|', 'subcatc' => 'c10|', 'subcatd' => 'd55|', 'subcatz' => 'z2|', 'created' => '1502061727', 'key' => '7', 'prevMsgids' => [], 'newsreader' => 'Spotnet 1.9.0.3', 'id' => '1604997', 0 => '1604997', 1 => '1PLBHPZxWFMnaSHWQ5WN5@spot.net', 2 => '0', 3 => 'CaptainSalvo', 4 => 'a11|', 5 => 'b10|', 6 => 'c10|', 7 => 'd55|', 8 => 'z2|', 9 => 'Composing.for.the.Cinema.The.Theory.and.Praxis.of.Music.in.Film.by.Ennio.Morricone.and.Sergio.Miceli.PDF', 10 => 'CaptSalvo', 'stamp' => '1502061727', 11 => '1502061727', 'moderated' => NULL, 12 => NULL, 'rating' => '0', 13 => '0', 'commentcount' => '0', 14 => '0', 'reportcount' => '0', 15 => '0', 16 => '4345814', 'spotterid' => 'rYgT7Q', 17 => 'rYgT7Q', 'editstamp' => NULL, 18 => NULL, 'editor' => NULL, 19 => NULL, 'downloadstamp' => NULL, 20 => NULL, 'watchstamp' => NULL, 21 => NULL, 'seenstamp' => '1793041731', 22 => '1793041731', 'verified' => '1', 23 => '1', 'user-signature' => 'HDhwLB/1jplYgqf4H8nKwc6Npb1TKb28iQr+A6f1CZPuGkWW7MJrF4VWqU7jRqas==', 24 => 'HDhwLB/1jplYgqf4H8nKwc6Npb1TKb28iQr+A6f1CZPuGkWW7MJrF4VWqU7jRqas==', 'user-key' => ['exponent' => 'AQAB', 'modulo' => 'rgdiBbUTAIlve4cIy22wy9Nbvix2QeHPtlWf1qr2/QmhHdq+BVPqEhWrDvFnT8xn'], 25 => 'YToyOntzOjg6ImV4cG9uZW50IjtzOjQ6IkFRQUIiO3M6NjoibW9kdWxvIjtzOjY0OiJyZ2RpQmJVVEFJbHZlNGNJeTIyd3k5TmJ2aXgyUWVIUHRsV2YxcXIyL1FtaEhkcStCVlBxRWhXckR2Rm5UOHhuIjt9', 'xml-signature' => 'q5Yw0qvArn+F+N4sgE6HkJ/GV8iajKcN9MbkiP5gG/lipYoFqp0hYZCY2sieuTHU', 26 => 'q5Yw0qvArn+F+N4sgE6HkJ/GV8iajKcN9MbkiP5gG/lipYoFqp0hYZCY2sieuTHU', 'fullxml' => '<?xml version="1.0"?>\n<Spotnet><Posting><Key>7</Key><Created>1502061727</Created><Poster>CaptainSalvo</Poster><Tag>CaptSalvo</Tag><Title>Composing.for.the.Cinema.The.Theory.and.Praxis.of.Music.in.Film.by.Ennio.Morricone.and.Sergio.Miceli.PDF</Title><Description>With nearly 400 scores to his credit, Ennio Morricone is one of the most prolific and influential film composers working today. He has collaborated with many significant directors, and his scores for such films as The Good, the Bad, and the Ugly; Onc'..., 27 => '<?xml version="1.0"?>\n<Spotnet><Posting><Key>7</Key><Created>1502061727</Created><Poster>CaptainSalvo</Poster><Tag>CaptSalvo</Tag><Title>Composing.for.the.Cinema.The.Theory.and.Praxis.of.Music.in.Film.by.Ennio.Morricone.and.Sergio.Miceli.PDF</Title><Description>With nearly 400 scores to his credit, Ennio Morricone is one of the most prolific and influential film composers working today. He has collaborated with many significant directors, and his scores for such films as The Good, the Bad, and the Ugly; Onc'..., 'listidtype' => NULL, 28 => NULL] ) | ...\SpotPage_editspot.php:39 |
| ( ! ) Warning: Array to string conversion in C:\wamp64\www\lib\page\SpotPage_editspot.php on line 39 | ||||
|---|---|---|---|---|
| Call Stack | ||||
| # | Time | Memory | Function | Location |
| 1 | 0.0001 | 366088 | {main}( ) | ...\index.php:0 |
| 2 | 0.0269 | 668248 | SpotPage_editspot->render( ) | ...\index.php:327 |
| 3 | 0.0333 | 766000 | str_replace( $search = '[br]', $replace = '\n', $subject = ['category' => '0', 'website' => 'https://www.amazon.com/Composing-Cinema-Theory-Praxis-Music/dp/0810892413', 'image' => ['height' => '472', 'width' => '315', 'segment' => [...]], 'sabnzbdurl' => '', 'messageid' => '1PLBHPZxWFMnaSHWQ5WN5@spot.net', 'searchurl' => '', 'description' => 'With nearly 400 scores to his credit, Ennio Morricone is one of the most prolific and influential film composers working today. He has collaborated with many significant directors, and his scores for such films as The Good, the Bad, and the Ugly; Once Upon a Time in America; Days of Heaven; The Mission; The Untouchables; Malèna; and Cinema Paradiso leave moviegoers with the conviction that something special was achieved—a conviction shared by composers, scholars, and fans alike.[br][br]In Composing for t'..., 'sub' => '', 'filesize' => '4345814', 'poster' => 'CaptainSalvo', 'tag' => 'CaptSalvo', 'nzb' => [0 => 'UsMR7RXnoOInqSHWQZH9V@spot.net'], 'title' => 'Composing.for.the.Cinema.The.Theory.and.Praxis.of.Music.in.Film.by.Ennio.Morricone.and.Sergio.Miceli.PDF', 'filename' => '', 'newsgroup' => '', 'subcata' => 'a11|', 'subcatb' => 'b10|', 'subcatc' => 'c10|', 'subcatd' => 'd55|', 'subcatz' => 'z2|', 'created' => '1502061727', 'key' => '7', 'prevMsgids' => [], 'newsreader' => 'Spotnet 1.9.0.3', 'id' => '1604997', 0 => '1604997', 1 => '1PLBHPZxWFMnaSHWQ5WN5@spot.net', 2 => '0', 3 => 'CaptainSalvo', 4 => 'a11|', 5 => 'b10|', 6 => 'c10|', 7 => 'd55|', 8 => 'z2|', 9 => 'Composing.for.the.Cinema.The.Theory.and.Praxis.of.Music.in.Film.by.Ennio.Morricone.and.Sergio.Miceli.PDF', 10 => 'CaptSalvo', 'stamp' => '1502061727', 11 => '1502061727', 'moderated' => NULL, 12 => NULL, 'rating' => '0', 13 => '0', 'commentcount' => '0', 14 => '0', 'reportcount' => '0', 15 => '0', 16 => '4345814', 'spotterid' => 'rYgT7Q', 17 => 'rYgT7Q', 'editstamp' => NULL, 18 => NULL, 'editor' => NULL, 19 => NULL, 'downloadstamp' => NULL, 20 => NULL, 'watchstamp' => NULL, 21 => NULL, 'seenstamp' => '1793041731', 22 => '1793041731', 'verified' => '1', 23 => '1', 'user-signature' => 'HDhwLB/1jplYgqf4H8nKwc6Npb1TKb28iQr+A6f1CZPuGkWW7MJrF4VWqU7jRqas==', 24 => 'HDhwLB/1jplYgqf4H8nKwc6Npb1TKb28iQr+A6f1CZPuGkWW7MJrF4VWqU7jRqas==', 'user-key' => ['exponent' => 'AQAB', 'modulo' => 'rgdiBbUTAIlve4cIy22wy9Nbvix2QeHPtlWf1qr2/QmhHdq+BVPqEhWrDvFnT8xn'], 25 => 'YToyOntzOjg6ImV4cG9uZW50IjtzOjQ6IkFRQUIiO3M6NjoibW9kdWxvIjtzOjY0OiJyZ2RpQmJVVEFJbHZlNGNJeTIyd3k5TmJ2aXgyUWVIUHRsV2YxcXIyL1FtaEhkcStCVlBxRWhXckR2Rm5UOHhuIjt9', 'xml-signature' => 'q5Yw0qvArn+F+N4sgE6HkJ/GV8iajKcN9MbkiP5gG/lipYoFqp0hYZCY2sieuTHU', 26 => 'q5Yw0qvArn+F+N4sgE6HkJ/GV8iajKcN9MbkiP5gG/lipYoFqp0hYZCY2sieuTHU', 'fullxml' => '<?xml version="1.0"?>\n<Spotnet><Posting><Key>7</Key><Created>1502061727</Created><Poster>CaptainSalvo</Poster><Tag>CaptSalvo</Tag><Title>Composing.for.the.Cinema.The.Theory.and.Praxis.of.Music.in.Film.by.Ennio.Morricone.and.Sergio.Miceli.PDF</Title><Description>With nearly 400 scores to his credit, Ennio Morricone is one of the most prolific and influential film composers working today. He has collaborated with many significant directors, and his scores for such films as The Good, the Bad, and the Ugly; Onc'..., 27 => '<?xml version="1.0"?>\n<Spotnet><Posting><Key>7</Key><Created>1502061727</Created><Poster>CaptainSalvo</Poster><Tag>CaptSalvo</Tag><Title>Composing.for.the.Cinema.The.Theory.and.Praxis.of.Music.in.Film.by.Ennio.Morricone.and.Sergio.Miceli.PDF</Title><Description>With nearly 400 scores to his credit, Ennio Morricone is one of the most prolific and influential film composers working today. He has collaborated with many significant directors, and his scores for such films as The Good, the Bad, and the Ugly; Onc'..., 'listidtype' => NULL, 28 => NULL] ) | ...\SpotPage_editspot.php:39 |
| ( ! ) Warning: Array to string conversion in C:\wamp64\www\lib\page\SpotPage_editspot.php on line 39 | ||||
|---|---|---|---|---|
| Call Stack | ||||
| # | Time | Memory | Function | Location |
| 1 | 0.0001 | 366088 | {main}( ) | ...\index.php:0 |
| 2 | 0.0269 | 668248 | SpotPage_editspot->render( ) | ...\index.php:327 |
| 3 | 0.0333 | 766000 | str_replace( $search = '[br]', $replace = '\n', $subject = ['category' => '0', 'website' => 'https://www.amazon.com/Composing-Cinema-Theory-Praxis-Music/dp/0810892413', 'image' => ['height' => '472', 'width' => '315', 'segment' => [...]], 'sabnzbdurl' => '', 'messageid' => '1PLBHPZxWFMnaSHWQ5WN5@spot.net', 'searchurl' => '', 'description' => 'With nearly 400 scores to his credit, Ennio Morricone is one of the most prolific and influential film composers working today. He has collaborated with many significant directors, and his scores for such films as The Good, the Bad, and the Ugly; Once Upon a Time in America; Days of Heaven; The Mission; The Untouchables; Malèna; and Cinema Paradiso leave moviegoers with the conviction that something special was achieved—a conviction shared by composers, scholars, and fans alike.[br][br]In Composing for t'..., 'sub' => '', 'filesize' => '4345814', 'poster' => 'CaptainSalvo', 'tag' => 'CaptSalvo', 'nzb' => [0 => 'UsMR7RXnoOInqSHWQZH9V@spot.net'], 'title' => 'Composing.for.the.Cinema.The.Theory.and.Praxis.of.Music.in.Film.by.Ennio.Morricone.and.Sergio.Miceli.PDF', 'filename' => '', 'newsgroup' => '', 'subcata' => 'a11|', 'subcatb' => 'b10|', 'subcatc' => 'c10|', 'subcatd' => 'd55|', 'subcatz' => 'z2|', 'created' => '1502061727', 'key' => '7', 'prevMsgids' => [], 'newsreader' => 'Spotnet 1.9.0.3', 'id' => '1604997', 0 => '1604997', 1 => '1PLBHPZxWFMnaSHWQ5WN5@spot.net', 2 => '0', 3 => 'CaptainSalvo', 4 => 'a11|', 5 => 'b10|', 6 => 'c10|', 7 => 'd55|', 8 => 'z2|', 9 => 'Composing.for.the.Cinema.The.Theory.and.Praxis.of.Music.in.Film.by.Ennio.Morricone.and.Sergio.Miceli.PDF', 10 => 'CaptSalvo', 'stamp' => '1502061727', 11 => '1502061727', 'moderated' => NULL, 12 => NULL, 'rating' => '0', 13 => '0', 'commentcount' => '0', 14 => '0', 'reportcount' => '0', 15 => '0', 16 => '4345814', 'spotterid' => 'rYgT7Q', 17 => 'rYgT7Q', 'editstamp' => NULL, 18 => NULL, 'editor' => NULL, 19 => NULL, 'downloadstamp' => NULL, 20 => NULL, 'watchstamp' => NULL, 21 => NULL, 'seenstamp' => '1793041731', 22 => '1793041731', 'verified' => '1', 23 => '1', 'user-signature' => 'HDhwLB/1jplYgqf4H8nKwc6Npb1TKb28iQr+A6f1CZPuGkWW7MJrF4VWqU7jRqas==', 24 => 'HDhwLB/1jplYgqf4H8nKwc6Npb1TKb28iQr+A6f1CZPuGkWW7MJrF4VWqU7jRqas==', 'user-key' => ['exponent' => 'AQAB', 'modulo' => 'rgdiBbUTAIlve4cIy22wy9Nbvix2QeHPtlWf1qr2/QmhHdq+BVPqEhWrDvFnT8xn'], 25 => 'YToyOntzOjg6ImV4cG9uZW50IjtzOjQ6IkFRQUIiO3M6NjoibW9kdWxvIjtzOjY0OiJyZ2RpQmJVVEFJbHZlNGNJeTIyd3k5TmJ2aXgyUWVIUHRsV2YxcXIyL1FtaEhkcStCVlBxRWhXckR2Rm5UOHhuIjt9', 'xml-signature' => 'q5Yw0qvArn+F+N4sgE6HkJ/GV8iajKcN9MbkiP5gG/lipYoFqp0hYZCY2sieuTHU', 26 => 'q5Yw0qvArn+F+N4sgE6HkJ/GV8iajKcN9MbkiP5gG/lipYoFqp0hYZCY2sieuTHU', 'fullxml' => '<?xml version="1.0"?>\n<Spotnet><Posting><Key>7</Key><Created>1502061727</Created><Poster>CaptainSalvo</Poster><Tag>CaptSalvo</Tag><Title>Composing.for.the.Cinema.The.Theory.and.Praxis.of.Music.in.Film.by.Ennio.Morricone.and.Sergio.Miceli.PDF</Title><Description>With nearly 400 scores to his credit, Ennio Morricone is one of the most prolific and influential film composers working today. He has collaborated with many significant directors, and his scores for such films as The Good, the Bad, and the Ugly; Onc'..., 27 => '<?xml version="1.0"?>\n<Spotnet><Posting><Key>7</Key><Created>1502061727</Created><Poster>CaptainSalvo</Poster><Tag>CaptSalvo</Tag><Title>Composing.for.the.Cinema.The.Theory.and.Praxis.of.Music.in.Film.by.Ennio.Morricone.and.Sergio.Miceli.PDF</Title><Description>With nearly 400 scores to his credit, Ennio Morricone is one of the most prolific and influential film composers working today. He has collaborated with many significant directors, and his scores for such films as The Good, the Bad, and the Ugly; Onc'..., 'listidtype' => NULL, 28 => NULL] ) | ...\SpotPage_editspot.php:39 |
| ( ! ) Warning: Cannot modify header information - headers already sent by (output started at C:\wamp64\www\lib\page\SpotPage_editspot.php:39) in C:\wamp64\www\lib\page\SpotPage_Abs.php on line 63 | ||||
|---|---|---|---|---|
| Call Stack | ||||
| # | Time | Memory | Function | Location |
| 1 | 0.0001 | 366088 | {main}( ) | ...\index.php:0 |
| 2 | 0.0269 | 668248 | SpotPage_editspot->render( ) | ...\index.php:327 |
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| 4 | 0.0435 | 768584 | SpotPage_Abs->sendExpireHeaders( $preventCaching = TRUE ) | ...\SpotPage_Abs.php:139 |
| 5 | 0.0435 | 768584 | header( $header = 'Cache-Control: private, post-check=1, pre-check=2, max-age=1, must-revalidate' ) | ...\SpotPage_Abs.php:63 |
| ( ! ) Warning: Cannot modify header information - headers already sent by (output started at C:\wamp64\www\lib\page\SpotPage_editspot.php:39) in C:\wamp64\www\lib\page\SpotPage_Abs.php on line 64 | ||||
|---|---|---|---|---|
| Call Stack | ||||
| # | Time | Memory | Function | Location |
| 1 | 0.0001 | 366088 | {main}( ) | ...\index.php:0 |
| 2 | 0.0269 | 668248 | SpotPage_editspot->render( ) | ...\index.php:327 |
| 3 | 0.0435 | 768112 | SpotPage_Abs->template( $tpl = 'editspot', $params = ['editspotform' => ['category' => '0', 'website' => 'https://www.amazon.com/Composing-Cinema-Theory-Praxis-Music/dp/0810892413', 'image' => 'Array', 'sabnzbdurl' => '', 'messageid' => '1PLBHPZxWFMnaSHWQ5WN5@spot.net', 'searchurl' => '', 'description' => 'With nearly 400 scores to his credit, Ennio Morricone is one of the most prolific and influential film composers working today. He has collaborated with many significant directors, and his scores for such films as The Good, the Bad, and the Ugly; Once Upon a Time in America; Days of Heaven; The Mission; The Untouchables; Malèna; and Cinema Paradiso leave moviegoers with the conviction that something special was achieved—a conviction shared by composers, scholars, and fans alike.\n\nIn Composing for the Cin'..., 'sub' => '', 'filesize' => '4345814', 'poster' => 'CaptainSalvo', 'tag' => 'CaptSalvo', 'nzb' => 'Array', 'title' => 'Composing.for.the.Cinema.The.Theory.and.Praxis.of.Music.in.Film.by.Ennio.Morricone.and.Sergio.Miceli.PDF', 'filename' => '', 'newsgroup' => '', 'subcata' => 'a11|', 'subcatb' => 'b10|', 'subcatc' => 'c10|', 'subcatd' => 'd55|', 'subcatz' => 'z2|', 'created' => '1502061727', 'key' => '7', 'prevMsgids' => 'Array', 'newsreader' => 'Spotnet 1.9.0.3', 'id' => '1604997', 0 => '1604997', 1 => '1PLBHPZxWFMnaSHWQ5WN5@spot.net', 2 => '0', 3 => 'CaptainSalvo', 4 => 'a11|', 5 => 'b10|', 6 => 'c10|', 7 => 'd55|', 8 => 'z2|', 9 => 'Composing.for.the.Cinema.The.Theory.and.Praxis.of.Music.in.Film.by.Ennio.Morricone.and.Sergio.Miceli.PDF', 10 => 'CaptSalvo', 'stamp' => '1502061727', 11 => '1502061727', 'moderated' => '', 12 => '', 'rating' => '0', 13 => '0', 'commentcount' => '0', 14 => '0', 'reportcount' => '0', 15 => '0', 16 => '4345814', 'spotterid' => 'rYgT7Q', 17 => 'rYgT7Q', 'editstamp' => '', 18 => '', 'editor' => '', 19 => '', 'downloadstamp' => '', 20 => '', 'watchstamp' => '', 21 => '', 'seenstamp' => '1793041731', 22 => '1793041731', 'verified' => '1', 23 => '1', 'user-signature' => 'HDhwLB/1jplYgqf4H8nKwc6Npb1TKb28iQr+A6f1CZPuGkWW7MJrF4VWqU7jRqas==', 24 => 'HDhwLB/1jplYgqf4H8nKwc6Npb1TKb28iQr+A6f1CZPuGkWW7MJrF4VWqU7jRqas==', 'user-key' => 'Array', 25 => 'YToyOntzOjg6ImV4cG9uZW50IjtzOjQ6IkFRQUIiO3M6NjoibW9kdWxvIjtzOjY0OiJyZ2RpQmJVVEFJbHZlNGNJeTIyd3k5TmJ2aXgyUWVIUHRsV2YxcXIyL1FtaEhkcStCVlBxRWhXckR2Rm5UOHhuIjt9', 'xml-signature' => 'q5Yw0qvArn+F+N4sgE6HkJ/GV8iajKcN9MbkiP5gG/lipYoFqp0hYZCY2sieuTHU', 26 => 'q5Yw0qvArn+F+N4sgE6HkJ/GV8iajKcN9MbkiP5gG/lipYoFqp0hYZCY2sieuTHU', 'fullxml' => '<?xml version="1.0"?>\n<Spotnet><Posting><Key>7</Key><Created>1502061727</Created><Poster>CaptainSalvo</Poster><Tag>CaptSalvo</Tag><Title>Composing.for.the.Cinema.The.Theory.and.Praxis.of.Music.in.Film.by.Ennio.Morricone.and.Sergio.Miceli.PDF</Title><Description>With nearly 400 scores to his credit, Ennio Morricone is one of the most prolific and influential film composers working today. He has collaborated with many significant directors, and his scores for such films as The Good, the Bad, and the Ugly; Onc'..., 27 => '<?xml version="1.0"?>\n<Spotnet><Posting><Key>7</Key><Created>1502061727</Created><Poster>CaptainSalvo</Poster><Tag>CaptSalvo</Tag><Title>Composing.for.the.Cinema.The.Theory.and.Praxis.of.Music.in.Film.by.Ennio.Morricone.and.Sergio.Miceli.PDF</Title><Description>With nearly 400 scores to his credit, Ennio Morricone is one of the most prolific and influential film composers working today. He has collaborated with many significant directors, and his scores for such films as The Good, the Bad, and the Ugly; Onc'..., 'listidtype' => '', 28 => ''], 'result' => class Dto_FormResult { public $_result = 'notsubmitted'; public $_data = [...]; public $_errors = [...]; public $_warnings = [...]; public $_info = [...] }] ) | ...\SpotPage_editspot.php:87 |
| 4 | 0.0435 | 768584 | SpotPage_Abs->sendExpireHeaders( $preventCaching = TRUE ) | ...\SpotPage_Abs.php:139 |
| 5 | 0.0467 | 768960 | header( $header = 'Expires: Mon, 12 Jul 2000 01:00:00 GMT' ) | ...\SpotPage_Abs.php:64 |
| ( ! ) Warning: Cannot modify header information - headers already sent by (output started at C:\wamp64\www\lib\page\SpotPage_editspot.php:39) in C:\wamp64\www\lib\page\SpotPage_Abs.php on line 96 | ||||
|---|---|---|---|---|
| Call Stack | ||||
| # | Time | Memory | Function | Location |
| 1 | 0.0001 | 366088 | {main}( ) | ...\index.php:0 |
| 2 | 0.0269 | 668248 | SpotPage_editspot->render( ) | ...\index.php:327 |
| 3 | 0.0435 | 768112 | SpotPage_Abs->template( $tpl = 'editspot', $params = ['editspotform' => ['category' => '0', 'website' => 'https://www.amazon.com/Composing-Cinema-Theory-Praxis-Music/dp/0810892413', 'image' => 'Array', 'sabnzbdurl' => '', 'messageid' => '1PLBHPZxWFMnaSHWQ5WN5@spot.net', 'searchurl' => '', 'description' => 'With nearly 400 scores to his credit, Ennio Morricone is one of the most prolific and influential film composers working today. He has collaborated with many significant directors, and his scores for such films as The Good, the Bad, and the Ugly; Once Upon a Time in America; Days of Heaven; The Mission; The Untouchables; Malèna; and Cinema Paradiso leave moviegoers with the conviction that something special was achieved—a conviction shared by composers, scholars, and fans alike.\n\nIn Composing for the Cin'..., 'sub' => '', 'filesize' => '4345814', 'poster' => 'CaptainSalvo', 'tag' => 'CaptSalvo', 'nzb' => 'Array', 'title' => 'Composing.for.the.Cinema.The.Theory.and.Praxis.of.Music.in.Film.by.Ennio.Morricone.and.Sergio.Miceli.PDF', 'filename' => '', 'newsgroup' => '', 'subcata' => 'a11|', 'subcatb' => 'b10|', 'subcatc' => 'c10|', 'subcatd' => 'd55|', 'subcatz' => 'z2|', 'created' => '1502061727', 'key' => '7', 'prevMsgids' => 'Array', 'newsreader' => 'Spotnet 1.9.0.3', 'id' => '1604997', 0 => '1604997', 1 => '1PLBHPZxWFMnaSHWQ5WN5@spot.net', 2 => '0', 3 => 'CaptainSalvo', 4 => 'a11|', 5 => 'b10|', 6 => 'c10|', 7 => 'd55|', 8 => 'z2|', 9 => 'Composing.for.the.Cinema.The.Theory.and.Praxis.of.Music.in.Film.by.Ennio.Morricone.and.Sergio.Miceli.PDF', 10 => 'CaptSalvo', 'stamp' => '1502061727', 11 => '1502061727', 'moderated' => '', 12 => '', 'rating' => '0', 13 => '0', 'commentcount' => '0', 14 => '0', 'reportcount' => '0', 15 => '0', 16 => '4345814', 'spotterid' => 'rYgT7Q', 17 => 'rYgT7Q', 'editstamp' => '', 18 => '', 'editor' => '', 19 => '', 'downloadstamp' => '', 20 => '', 'watchstamp' => '', 21 => '', 'seenstamp' => '1793041731', 22 => '1793041731', 'verified' => '1', 23 => '1', 'user-signature' => 'HDhwLB/1jplYgqf4H8nKwc6Npb1TKb28iQr+A6f1CZPuGkWW7MJrF4VWqU7jRqas==', 24 => 'HDhwLB/1jplYgqf4H8nKwc6Npb1TKb28iQr+A6f1CZPuGkWW7MJrF4VWqU7jRqas==', 'user-key' => 'Array', 25 => 'YToyOntzOjg6ImV4cG9uZW50IjtzOjQ6IkFRQUIiO3M6NjoibW9kdWxvIjtzOjY0OiJyZ2RpQmJVVEFJbHZlNGNJeTIyd3k5TmJ2aXgyUWVIUHRsV2YxcXIyL1FtaEhkcStCVlBxRWhXckR2Rm5UOHhuIjt9', 'xml-signature' => 'q5Yw0qvArn+F+N4sgE6HkJ/GV8iajKcN9MbkiP5gG/lipYoFqp0hYZCY2sieuTHU', 26 => 'q5Yw0qvArn+F+N4sgE6HkJ/GV8iajKcN9MbkiP5gG/lipYoFqp0hYZCY2sieuTHU', 'fullxml' => '<?xml version="1.0"?>\n<Spotnet><Posting><Key>7</Key><Created>1502061727</Created><Poster>CaptainSalvo</Poster><Tag>CaptSalvo</Tag><Title>Composing.for.the.Cinema.The.Theory.and.Praxis.of.Music.in.Film.by.Ennio.Morricone.and.Sergio.Miceli.PDF</Title><Description>With nearly 400 scores to his credit, Ennio Morricone is one of the most prolific and influential film composers working today. He has collaborated with many significant directors, and his scores for such films as The Good, the Bad, and the Ugly; Onc'..., 27 => '<?xml version="1.0"?>\n<Spotnet><Posting><Key>7</Key><Created>1502061727</Created><Poster>CaptainSalvo</Poster><Tag>CaptSalvo</Tag><Title>Composing.for.the.Cinema.The.Theory.and.Praxis.of.Music.in.Film.by.Ennio.Morricone.and.Sergio.Miceli.PDF</Title><Description>With nearly 400 scores to his credit, Ennio Morricone is one of the most prolific and influential film composers working today. He has collaborated with many significant directors, and his scores for such films as The Good, the Bad, and the Ugly; Onc'..., 'listidtype' => '', 28 => ''], 'result' => class Dto_FormResult { public $_result = 'notsubmitted'; public $_data = [...]; public $_errors = [...]; public $_warnings = [...]; public $_info = [...] }] ) | ...\SpotPage_editspot.php:87 |
| 4 | 0.0510 | 768960 | SpotPage_Abs->sendContentTypeHeader( $type = 'html' ) | ...\SpotPage_Abs.php:140 |
| 5 | 0.0510 | 768960 | header( $header = 'Content-Type: text/html; charset=utf-8' ) | ...\SpotPage_Abs.php:96 |